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AJ-PX270
Key Features

1/3-type 2.2 megapixel 3MOS sensor with a 22x optical zoom and 28mm wide-angle lens supports a superb quality of image

Built-in AVC ULTRA recording that features AVC-Intra 200/500/50 and AVC-LongG50/25/12

Two MicroP2 slots supports both relay and simultaneous recording capabilities

Wired and wireless network capabilities via Wi-Fi, 4G/LTE and LAN

Ergonomic, compact and intuitive design that takes many of its key features from our professional shoulder-mount cameras

P2HD Handheld Camcorder which features AVC-ULTRA codecs, microP2 card compatibility, and wired and wireless network capabilities

The first handheld camera recorder to feature the AVC-ULTRA*1 codec family, microP2 cards and wireless LAN connection

 

Key Benefits:

  • AVC-Intra 200100/50 + AVC-LongG50/25/12
  • High quality 10bit/4:2:2 recording video recording at 50Mbps or 25Mbps
  • New compact / lightweight 22x lens (f=28mm-616mm/35mm)
  • Network workflow connectivity with LAN connection as standard
  • Dual microP2 card slots for cost efficient microP2 cards

 

Master Qu​ality Code cs

The AJ-PX270 is the first P2HD handheld camera recorder with AVC-ULTRA recording and built-in microP2 card slots. In addition to the established AVC-Intra100, the AJ-PX270 has AVC-LongG for extended recording and the optional AVC-Intra200 codec for master level recording offering a wide range of choice. This handheld camera features two built-in microP2 card slots with simultaneous recording functionality, a newly designed multipurpose compact zoom lens and wireless workflow options.

The AJ-PX270 covers both low-bit rate and high-bit rate recording thanks to its inherent support of the AVC-ULTRA codec family. The AVC-LongG25 enables extended 1920 x 1080 10 bit 4:2:2 broadcast-quality recording (four times longer than AVC-Intra100). The AJ-PX270 also supports DV, DVCPRO, DVCPRO50 as standard for SD recording and DVCPRO HD, AVC-Intra 50, AVC-Intra 100 along with the new AVC-LongG6, G12, G25 and G50 as standard for HD recoding. For even higher quality recording, the AJ-PX270 supports the visually lossless AVC-Intra 200 codec, as an option for master quality all in one compact handheld camera.

Superb Image Quality - High Quality, High Sensitivity Sensor

Additional features of the camera include a newly designed built-in compact 22x zoom lens which covers a wide range from 28mm to 616mm (35mm camera equivalent). The three lens rings for Cam-Type Zoom, Focus and Iris operation provide comfortable manual control similar to that of interchangeable lenses. The newly developed high-sensitivity and low-noise 1/3 type 3MOS sensors produce superb image quality, even in dim light.

Ultimate Cost Effective Operation

Two microP2 card slots enable cost-effective operation. With the same reliability as the P2 card, the microP2 cards can be used without an adapter for either relay recording, when one card is full the AJ-PX270 seamlessly switches to the second card to continue recording; or simultaneous recording, where the same codec is recorded on to both cards at the same time for backup use. The microP2 slots can be used with standard SD cards for even greater efficiency when recording*5 codec’s with 50Mbps or less. A single P2 slot is also provided for integration with existing P2 workflows.

Wide Connectivity Functions for Easy Sharing in the Field

Camera connectivity is becoming increasingly important as the need for an ever faster workflow grows. The AJ-PX270 features a wired and wireless LAN (via an optional, AG-WM30 Wireless dongle) that supports the existing Panasonic network functions such as remote proxy viewing, metadata viewing and amendment, and live uplink*3 and playlist*3 solutions. Further expansion of the AJ-PX270 network workflow is planned, which will include connection over a mobile 3G/4G/LTE network. Thanks to these network features, users of the AJ-PX270 can easily uplink low-bit rate proxy*2 data and full quality broadcast content. The handheld camera’s network function makes the production workflow more efficient and accelerates the broadcast workflow from shooting to on-air.

Professional Outputs for Flexible Shooting

The inclusion of the network connections hasn’t been at the expense of the traditional video and audio connections. The AJ-PX270 has all the A/V connections you would expect on a professional camera, including SD/HD/3G-SDI output, HDMI, Video output or GEN Lock input and Timecode IN/OUT. The AJ-PX270 has two 3 pin XLR audio inputs; one in front behind the microphone mount for easy connection to an external mic and one at the rear side of the camera along with the headphone and audio out for monitoring.

New Ergonomic, Compact and Intuitive Design

The ergonomic design of the AJ-PX270 sees the common video and audio connections mounted on the side of the camera, keeping them out of the way when cables are connected. When it comes to control layout, the low weight and well balanced AJ-PX270 takes many of its inspirations from the professional shoulder mount style cameras. White balance and video gain control toggle switches are positioned easily to hand under the lens and for the first time in a handheld camera*4 an audio fader control and record start/stop are located at the front of the camera.

Please click here for a list of operation manuals to download.

*1: AVC-ULTRA is the name of Panasonic's professional video codec family. The AJ-PX270 does not support all of the formats included in the AVC-ULTRA family.
*2: The use of DCF Technologies is under license from Multi-Format, Inc.
*3: Available in near future.
*4: As of March 2014
*5: Not all SD cards are guaranteed to work with the AJ-PX270EJ or record. Recording speeds are limited to a maximum 50Mb/s.

 

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Technology

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HDMI Logo PNG P2HD Emboss P2 AVC ULTRA Emboss AVC INTRA AVC LongG AVC Proxy MicroP2 SDXC
  • Case Studies
  • Brochures
  • Istanbul Bilgi University gets the Panasonic treatment for new live TV studio project
    Istanbul Bilgi University gets the Panasonic treatment for new live TV studio project
    Bilgi University's Faculty of Communication establishes a new live TV studio and continuous broadcasting project, RGB, in cooperation with Panasonic, giving students the experience of real television broadcasting and live streaming.
Marketing
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Firmware

Service and Support
  • Istanbul Bilgi University gets the Panasonic treatment for new live TV studio project
    Istanbul Bilgi University gets the Panasonic treatment for new live TV studio project
    Bilgi University's Faculty of Communication establishes a new live TV studio and continuous broadcasting project, RGB, in cooperation with Panasonic, giving students the experience of real television broadcasting and live streaming.
    Tue, 18/07/2017 - 14:22
    Download pdf - 6.51 MB
  • Broadcast and Professional Video Product Lineup Catalog PDF [Aug. 2019]
    Broadcast and Professional Video Product Lineup Catalog PDF [Aug. 2019]
    Catalog PDF : Professional Video Product Lineup Catalog
    Thu, 11/07/2019 - 06:06
    Download pdf - 10.18 MB
    AJ-PX270 Brochure PDF
    AJ-PX270 Brochure PDF
    Catalog: AJ-PX270
    Sun, 07/10/2018 - 08:37
    Download pdf - 3.13 MB
  • SPEED TO AIR WITH P2 CAST at Cox Media Group
    SPEED TO AIR WITH P2 CAST at Cox Media Group's WSB (Atlanta) & WFTV (Orlando)
    SPEED TO AIR WITH P2 CAST at Cox Media Group's WSB (Atlanta) & WFTV (Orlando)
    Tue, 10/07/2018 - 08:29
    View video
    Panasonic P2HD AJ-PX270 Camera Recorder | ENGLISH
    Panasonic P2HD AJ-PX270 Camera Recorder | ENGLISH
    Panasonic P2HD AJ-PX270 Camera Recorder | ENGLISH
    Thu, 07/02/2019 - 09:31
    View video
    Panasonic Product Planner: Takashi Okabayashi, talks about the PX270 (AJ-PX270)
    Panasonic Product Planner: Takashi Okabayashi, talks about the PX270 (AJ-PX270)
    Panasonic Product Planner: Takashi Okabayashi, talks about the PX270 (AJ-PX270)
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    AJ-PX270 Ultra Handheld Camera Recorder
    AJ-PX270 Ultra Handheld Camera Recorder
    AJ-PX270 Ultra Handheld Camera Recorder
    Thu, 07/02/2019 - 09:31
    View video
    AJ PX270 Developers
    AJ PX270 Developers' Message: Product Engineer Hiroyuki Shimogome
    AJ PX270 Developers' Message: Product Engineer Hiroyuki Shimogome
    Thu, 07/02/2019 - 09:31
    View video
    Panasonic Product Designer: Kunio Yamada, discusses the PX270
    Panasonic Product Designer: Kunio Yamada, discusses the PX270
    Panasonic Product Designer: Kunio Yamada, discusses the PX270
    Thu, 07/02/2019 - 09:31
    View video
    AJ-PX270 Ultra Handheld Camera Recorder
    AJ-PX270 Ultra Handheld Camera Recorder
    Marketing Video
    Thu, 07/02/2019 - 09:21
    View video
    Panasonic Product Planner: Takashi Okabayashi, talks about the PX270 (AJ-PX270)
    Panasonic Product Planner: Takashi Okabayashi, talks about the PX270 (AJ-PX270)
    Marketing Video AJ-PX270
    Thu, 07/02/2019 - 09:22
    View video
  • AJ PX270 Developers
    AJ PX270 Developers' Message: Product Engineer Hiroyuki Shimogome
    Marketing Video
    Thu, 07/02/2019 - 09:24
    View video
    Panasonic Product Designer: Kunio Yamada, discusses the PX270
    Panasonic Product Designer: Kunio Yamada, discusses the PX270
    Marketing Video
    Thu, 07/02/2019 - 09:25
    View video
  • Broadcast & ProAV Operating Manual Database
    Broadcast & ProAV Operating Manual Database
    Link to the Panasonic global Operation Manual Database for Broadcast & ProAV Products
    Mon, 12/02/2018 - 13:50
    Download File

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

There are currently no key services available.

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

There are currently no other services available.

Specifications

General
Power DC 7.2 V (when the battery is used) DC 12 V (when the AC adaptor is used)
Power Consumption 19.5 W (when the LCD monitor is used)
Operating Temperature 0 °C to 40 °C (32 °F to 104 °F)
Operating Humidity 10 % to 80 % (no condensation)
Weight Approx. 2.2 kg (4.9 lbs.) (body only, excluding lens hood, battery, and accessories) Approx. 2.6 kg (5.7 lbs.) (including lens hood, supplied battery, and microphone holder)
Dimensions 176 mm(H) x 171 mm(W) x 329 mm (D) (excluding protrusion) (6-15/16 inches x 6-23/32 inches x 12-15/16 inches)
Camera Section
Pickup Devices 1/3-type 2.2 million pixels, MOS solid state image sensor x 3
Lens Optical image stabilizer lens, optical 22x motorized zoom F1.6 to F3.2 (f=3.9 mm to 86 mm) 35 mm conversion: 28 mm to 616 mm (16:9)
Filter Diameter 72 mm
Optical System Prism system
ND Filter OFF, 1/4, 1/16, 1/64
Shortest Shooting Distance (M.O.D.) 1.1 m from the front lens Approx. 0.06 m from front lens (When Macro=On, at wide-end)
Gain Settings L/M/H selector switch-3 dB to 18 dB (in 1 dB steps) (Negative value of gain is only in [HIGH SENS.] mode.) (When assigning [S.GAIN] to the USER button: Switching between 24 dB, 30 dB, and 36 dB)
Color Temperature Setting ATW, ATW LOCK, Ach, Bch, preset 3200 K/preset 5600 K/VAR (2000 K to 15000 K)
Shutter Speed When [SYSTEM MODE] = 59.94 Hz 60i/60p mode: 1/60 (shutter off) sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. 30p mode: 1/30 sec., 1/50 (shutter off) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. 24p mode: 1/24 sec., 1/50 (shutter off) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. When [SYSTEM MODE] = 50 Hz 50i/50p mode: 1/50 (shutter off) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec. 25p mode: 1/25 sec., 1/50 (shutter off) sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
Slow Shutter Speed Setting is possible when [VFR]=[OFF] When [SYSTEM MODE] = 59.94 Hz 60i/60p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/15 sec., 1/30 sec. 30p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6sec., 1/15 sec. 24p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/12 sec. When [SYSTEM MODE] = 50 Hz 50i/50p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/12 sec., 1/25 sec. 25p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/12 sec.
Synchro Scan Shutter When [SYSTEM MODE] = 59.94 Hz and [SYNC SCAN TYPE] = [sec] 60i/60p mode: 1/60.0 sec. to 1/249.8 sec. 30p mode: 1/30.0 sec. to 1/249.8 sec. 24p mode: 1/24.0 sec. to 1/249.8 sec. When [SYSTEM MODE] = 50 Hz and [SYNC SCAN TYPE] = [sec] 50i/50p mode: 1/50.0 sec. to 1/250.0 sec. 25p mode: 1/25.0 sec. to 1/250.0 sec.
Shutter Open Angle 3.0 deg to 180.0 deg to 360.0 deg (in 0.5 deg steps, angle display)
VFR Recording Frame Rate 1080/59.94p: 1, 2, 4, 6, 9, 12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 34, 36, 40, 44, 48, 54, and 60 (frames per second) 1080/50p: 1, 2, 4, 6, 9, 12, 15, 18, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 32, 34, 37, 42, 45, 48, and 50 (frames per second)
Sensitivity [HIGH SENS.] mode F11 (2000 lx, 3200 K, 89.9 % reflection, 1080/59.94i) F12 (2000 lx, 3200 K, 89.9 % reflection, 1080/50i)
Minimum Subject Illumination 0.02 lx (F1.6, gain 18 dB, [1S.EXP.], [HIGH SENS.] mode)
Digital Zoom x2/x5/x10
Lens Hood Hood with lens cover
Memory Card Recorder Section
Recording Media microP2 card, P2 card
Recording Slot microP2 card slot x2, P2 card slot x1
System Format 1080/59.94p, 1080/59.94i, 1080/23.98PsF, 720/59.94p, 480/59.94i, 1080/50p, 1080/50i, 720/50p, 576/50i
Recording Formats AVC-Intra200/AVC-Intra100/AVC-Intra50/ AVC-LongG50/AVC-LongG25/AVC-LongG12 DVCPRO HD/DVCPRO50/DVCPRO/DV formats
Recording Video Signal 1080/59.94p, 1080/59.94i, 1080/29.97pN, 1080/23.98pN, 720/59.94p, 720/29.97pN, 720/23.98pN, 480/59.94i, 480/29.97p 1080/50p, 1080/50i, 1080/25pN, 720/50p, 720/25pN, 576/50i, 576/25p
Recording/Playback Time*1 16 GBx1 32 GBx1 64 GBx1 AVC-Intra200: Approx. 8 min. Approx. 16 min. Approx. 32 min. AVC-Intra100: Approx. 16 min. Approx. 32 min. Approx. 64 min. AVC-Intra50: Approx. 32 min. Approx. 64 min. Approx. 128 min. AVC-LongG50: Approx. 32 min. Approx. 64 min. Approx. 128 min. AVC-LongG25: Approx. 64 min. Approx. 128 min. Approx. 256 min. AVC-LongG12: Approx. 120 min. Approx. 240 min. Approx. 480 min. DVCPRO HD: Approx. 16 min. Approx. 32 min. Approx. 64 min. DVCPRO 50: Approx. 32 min. Approx. 64 min. Approx. 128 min. DVCPRO/DV: Approx. 64 min. Approx. 128 min. Approx. 256 min.
Digital Video
Sampling Frequency AVC-Intra200/AVC-Intra100/AVC-Intra50/AVC-LongG50/ AVC-LongG25/AVC-LongG12/DVCPRO HD Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz) Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz) DVCPRO50 Y: 13.5 MHz, PB/PR: 6.75 MHz DVCPRO Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing AVC-Intra200/AVC-Intra100/AVC-Intra50/AVC-LongG50/ AVC-LongG25: 10 bits AVC-LongG12/DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits
Video Compression Format AVC-Intra200/AVC-Intra100/AVC-Intra50: MPEG-4 AVC/H.264 Intra Profile AVC-LongG50/AVC-LongG25/AVC-LongG12: MPEG-4 AVC/H.264 DVCPRO HD: DV-Based Compression (SMPTE 370M) DVCPRO50/DVCPRO: DV-Based Compression (SMPTE 314M) DV: DV Compression (IEC 61834-2)
Digital Audio Specification
Recording Audio Signal AVC-Intra200/AVC-LongG50/AVC-LongG25: 48 kHz/24 bits, 4 CH AVC-Intra100/AVC-Intra50: 48 kHz/16 bits, 4 CH and 48 kHz/24 bits, 4 CH switch AVC-LongG12/DVCPRO HD/DVCPRO50: 48 kHz/16 bits, 4 CH DVCPRO/DV: 48 kHz/16 bits, 4 CH
Headroom 12 dB/18 dB/20 dB switchable menu
AVC Proxy
File Format MOV
Video Compression Format (AVC Proxy) H.264/AVC Baseline Profile, H.264/AVC High Profile
Audio Compression Format AAC-LC, Linear PCM
Approximate Recording Time (1GB)*2 AVC-G6 2CH MOV: Approx. 13 min. SHQ 2CH MOV: Approx. 25 min. HQ 2CH MOV: Approx. 78 min. LOW 2CH MOV: Approx. 135 min.
Video Input/Output
SDI Out BNC x 1, HD (3G/1.5G), SD: 0.8 V [p-p], 75 ohms
Video Output BNC x 1, Also used as the GENLOCK IN, IN/OUT switch selection Composite: 1.0 V [p-p], 75 ohms
HDMI Out HDMI x 1 (HDMI type A terminal, not compatible with VIERA Link)
Audio Input
Built-in Microphone Supports stereo microphone
Audio Input 1/Audio Input 2 XLR x 2, 3 pin.Input high impedance, LINE/MIC switch selection LINE: 4 dBu/0 dBu (selectable menu) MIC: -40 dBu/-50 dBu/-60 dBu (selectable menu), +48 V on/off (switch selection)
Audio Output
Audio Out 3.5 mm diameter stereo mini jack x 1, Output level: 600 ohms, 316 mV
Headphone 3.5 mm diameter stereo mini jack x 1 100 ohms, -16 dBV (32 ohms load, at maximum output level)
Speaker 20 mm diameter, round x 1
Other Input/Output
Cam Remote 2.5 mm diameter super mini jack x1 ZOOM S/S
Genlock In BNCx1, also used as the VIDEO OUT, IN/OUT switch selection, 1.0 V [p-p], 75 ohms
TC In/Out BNCx1 Used as the input and output terminals, IN/OUT switch selection Input: 1.0 V - 4.0 V [p-p], 10 k ohms Output: 2.0 V±0.5 V [p-p], low impedance
LAN 100BASE-TX/10BASE-T
USB 2.0 (Device) Type miniB connector, 4 pin
USB 3.0 (Host) Type A connector, 9 pin
USB 2.0 Host (Sub-Host) Type A connector, 4 pin (exclusively for wireless module AJ-WM30)
DC In 12V DC 12 V (DC 10.5 V - 13.5 V), EIAJ type 4
Monitor
LCD Monitor 3.5 type QHD color monitor (Approx. 1560000 dots)
View Finder 0.5 type OLED (organic EL display) (Approx. 2360000 dots, video display area: Approx. 1770000 dots)
Included Accessories Battery (VW-VBD58), Shoulder strap, Battery charger, AC adaptor, Microphone holder, Screw for microphone holder (12 mm), Power code x 2, Eye cup, Lens hood, Grip belt
Note *1: Figures are for continuous recording as one clip. Depending on the number of clips, the overall recording time may be shorter than the above. *2: These are reference values for continuous recording using the Panasonic products. The recording time may differ depending on the scene or the number of clips. Weight and dimensions are approximate. Specifications are subject to change without notice.