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AG-DVX200
Key Features

Newly-developed 4/3-type LEICA DICOMAR 4K lens

Wireless remote control from the AG-ROP app that is available free of charge from the Apple App Store

V-Log L function equivalent to the V-Log curve provided on the Varicam series supports 12 stops of dynamic range for HDR production

Variable Frame Rate capability at Full-HD (1920 x 1080) from 2-120fps

Stunning imagery captured with the LEICA DICOMAR 4K 13x zoom lens and a 28mm wide angle

Expressive 4K production in your hands

 

Enhanced Mobility with Professional Functions

  • 5 axis Hybrid Image Stabilizer.
  • Intelligent Auto Focus, Custom Auto Focus.
  • Variety of Manual Focus Assist function.
  • ND filters (1/4, 1/16, 1/64).
  • 3 rings for independent Zoom: Focus, Iris control, mechanical
  • 4.3 type touch screen type LCD (Approx. 2.76 Mil dots).
  • 0.39 type high quality OLED viewfinder (Approx. 1.77 Mil dots).
  • Battery cover for great handheld shooting experience.
  • Camera Remote control support.*4

 

Selectable Recording format and I/O for Versatile Shooting

  • Supports 4K, FHD and SD recording*5 on to SD memory card.*6
  • Simultaneous, backup, relay or dual codec recording function using two card slots.
  • Various input/output.
  • OUT: 3G-SDI/HDMI/Composite/USB IN: XLR/Camera Remote/USB

The microphone shown in the pictures is an option.

DDVX200_camcorder_side

DVX200About the product

DVX200This product has been carefully created to follow in the footsteps of its breakthrough predecessor, the AG-DVX100. This innovation in 4K camera technology boasts itself as the world's first*2 4/3-type large format, 4K/60p*3 camcorder to feature an integrated zoom lens. This sophisticated cinematography camcorder has been thoughtfully designed by us to flourish in a broadcast environment. The AG-DVX200 4K camcorder is an essential camcorder for any professional broadcast applications. 

This 4K camcorder features an impressive LEICA DICOMAR 4K 13x zoom lens combined with an advanced large format 4K imager and the blending of aesthetics like shallow focus, attractive Bokeh, and an amazing 12 stop dynamic range made possible by the VariCam style V-Log L processing. With a newly designed lens-integrated body, this product provides excellent mobility; and extra flexibility is supported by the compartment with hatch-type cover which protects the battery and terminals from dust and impacts.

The AG-DVX200 is also compatible with the AG ROP (Remote Operation Panel) app, which allows remote control of the 4K camera recorder from an iPad. The app is now available to download from the Apple app store. 

Interested in using Atomos with the DVX200? You can find a set-up-guide here.
 

'A Guide to the Panasonic DVX200 Camera, By Barry Green' Click here to download

 

This product is part of our optional two year warranty program. This program is enhancing one of the best service programs in the industry and offers all customers the best after-sales service possible.

Please click here for a list of operation manuals to download.

Latest Update
 

*1: IR illuminator is required separately.
*2: For a lens-integrated 4K/60p camcorder with a 4/3-type sensor. (As of March 2015, according to a Panasonic survey.)
*3: When 60p, resolution is UHD(3840 x 2160).
*4: Installation of a Wireless Module (AJ-WM30 (sold separately) or ASUS USB-N53 (Ver.A1) (sold separately) is required. With iPad, iOS7.1, iOS8.1, iOS9 are supported. Preview is possible with sub-recording (8Mbps) of        dual codec recording is supported. The firmware in the camera recorder may need to be updated.
*5: Recording format is 4K(MP4/MOV), FHD(AVCHD/MP4/MOV), SD(AVCHD).
*6: Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode of 100 Mbps or greater. The use of DCF Technologies is under license from Multi-Format, Inc.

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Technology

Click an icon to find out more about the technology used

HDMI Logo PNG    (1) 4K Professional Gold LEICA Logo Bk SDXC
  • Case Studies
  • Brochures
  • A Guide to the Panasonic DVX200 Camera
    A Guide to the Panasonic DVX200 Camera
    The DVX200 represents a case of “zigging” when the rest of the world is “zagging.” While other camcorder manufacturers keep introducing new large-sensor interchangeable-lens models, Panasonic is doing something entirely different.
  • Going wild for Panasonic 4K
    Going wild for Panasonic 4K
    The low weight and compact form factor of the AG-DVX200 helps the next generation of wildlife FILM STUDENTS WORK OUT ON LOCATION WITH THE UK WILDLIFE FILM SCHOOL.
  • Tara Expeditions
    Tara Expeditions
    "Tara Pacific, The Mystery of reefs” will be the first in a series of documentaries made during the Tara Pacific expedition. From Tahiti to Moorea and the Tuamotu archipelago, ashore and aboard Tara, director Pierre de Parscau recounts the early days of filming with 4K Camcorder AG-DVX200.
  • Upgraded learning at Sheffield Hallam
    Upgraded learning at Sheffield Hallam
    Sheffield Hallam University invests in Panasonic’s AG-DVX200 camcorders to integrate applied learning into its film and media courses.
Marketing
Case Studies
Brochures
Posters/POP
Marketing Videos
Product
Image Data
Technical
Operating Instructions

Service and Support
  • A Guide to the Panasonic DVX200 Camera
    A Guide to the Panasonic DVX200 Camera
    The DVX200 represents a case of “zigging” when the rest of the world is “zagging.” While other camcorder manufacturers keep introducing new large-sensor interchangeable-lens models, Panasonic is doing something entirely different.
    Fri, 11/12/2015 - 14:44
    Download - bytes
    Going wild for Panasonic 4K
    Going wild for Panasonic 4K
    The low weight and compact form factor of the AG-DVX200 helps the next generation of wildlife FILM STUDENTS WORK OUT ON LOCATION WITH THE UK WILDLIFE FILM SCHOOL.
    Tue, 25/10/2016 - 17:08
    Download - bytes
    Tara Expeditions
    Tara Expeditions
    "Tara Pacific, The Mystery of reefs” will be the first in a series of documentaries made during the Tara Pacific expedition. From Tahiti to Moorea and the Tuamotu archipelago, ashore and aboard Tara, director Pierre de Parscau recounts the early days of filming with 4K Camcorder AG-DVX200.
    Wed, 05/07/2017 - 17:22
    Download - bytes
    Upgraded learning at Sheffield Hallam
    Upgraded learning at Sheffield Hallam
    Sheffield Hallam University invests in Panasonic’s AG-DVX200 camcorders to integrate applied learning into its film and media courses.
    Thu, 14/06/2018 - 10:03
    Download - bytes
  • The perfect backdrop for pipes and drums
    The perfect backdrop for pipes and drums
    The perfect backdrop for pipes and drums
    Mon, 12/02/2018 - 13:50
    View video
    AG-DVX200 - Key Features
    AG-DVX200 - Key Features
    AG-DVX200 - Key Features
    Mon, 12/02/2018 - 13:50
    View video
    DVX200 footage graded with V Log L
    DVX200 footage graded with V Log L
    DVX200 footage graded with V Log L
    Mon, 12/02/2018 - 13:50
    View video
    AG-DVX200 – A Day in life
    AG-DVX200 – A Day in life
    AG-DVX200 – A Day in life
    Mon, 12/02/2018 - 13:50
    View video
    THE AG_DVX200 4K - A New Legend Begins - Vol.3 Lens / Features
    THE AG_DVX200 4K - A New Legend Begins - Vol.3 Lens / Features
    THE AG_DVX200 4K - A New Legend Begins - Vol.3 Lens / Features
    Mon, 12/02/2018 - 13:50
    View video
    THE DVX 4K - A New Legend Begins
    THE DVX 4K - A New Legend Begins
    THE DVX 4K - A New Legend Begins
    Mon, 12/02/2018 - 13:50
    View video
    Test shooting with the Panasonic DVX200 4K camcorder
    Test shooting with the Panasonic DVX200 4K camcorder
    Test shooting with the Panasonic DVX200 4K camcorder
    Mon, 12/02/2018 - 13:50
    View video
    AG-DVX200
    AG-DVX200
    AG-DVX200
    Mon, 12/02/2018 - 13:50
    View video
  • Panasonic @ IBC 2015
    Panasonic @ IBC 2015
    Panasonic @ IBC 2015
    Mon, 12/02/2018 - 13:50
    View video
    The perfect backdrop for pipes and drums
    The perfect backdrop for pipes and drums
    Video, shooting Royal Edinburgh Military
    Wed, 31/10/2018 - 09:06
    View video
  • Broadcast & ProAV Operating Manual Database
    Broadcast & ProAV Operating Manual Database
    Link to the Panasonic global Operation Manual Database for Broadcast & ProAV Products
    Mon, 12/02/2018 - 13:50
    Download File

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

There are currently no key services available.

Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

General service & downloads Contact technical support

There are currently no other services available.

Specifications

Weight Approx. 2.7 kg (5.95 lb) (body only, excluding lens hood, battery, and accessories) Approx. 3.1 kg (6.84 lb) (including lens hood, battery, and eye cup)
Power DC 7.2 V (when the battery is used) DC 12 V (when the AC adaptor is used)
Operating Temperature 0 °C to 40 °C (32 °F to 104 °F)
Power Consumption 21.7 W
Operating Humidity 10 % RH to 80 % RH (no condensation)
Lens Optical image stabilizer lens, optical 13x motorized zoom F2.8 to F4.5 (f=12.8 mm to 167 mm) 35 mm equivalent: FHD: 28.0 mm to 365.3 mm UHD 59.94p/50.00p: 37.2 mm to 485.1 mm UHD 29.97p/25.00p: 30.6 mm to 398.7 mm 4K 24p: 29.5 mm to 384.9 mm
General
ND Filter OFF, 1/4, 1/16, 1/64
Shutter Speed When [SYSTEM MODE] = 59.94 Hz • 60i/60p mode: 1/60 sec., 1/100 sec., 1/120 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec., 1/1500 sec.,1/2000 sec.,1/3000 sec., 1/4000 sec.,1/8000 sec. • 30p mode: 1/30 sec.,1/50 sec.,1/60 sec., 1/100 sec., 1/120 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec.,1/4000 sec., 1/8000 sec. • 24p mode: 1/24 sec., 1/48 sec., 1/50 sec., 1/60 sec., 1/100 sec., 1/120 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec., 1/4000 sec., 1/8000 sec. When [SYSTEM MODE] = 50.00 Hz • 50i/50p mode: 1/50 sec., 1/60 sec., 1/100 sec., 1/125 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec., 1/4000 sec., 1/8000 sec. • 25p mode: 1/25 sec., 1/50 sec., 1/60 sec., 1/100 sec., 1/125 sec., 1/180 sec., 1/250 sec., 1/350 sec., 1/500 sec., 1/750 sec., 1/1000 sec., 1/1500 sec., 1/2000 sec., 1/3000 sec., 1/4000 sec., 1/8000 sec.
Slow Shutter Speed When [SYSTEM MODE] = 59.94 Hz • 60i/60p mode: 1/2 sec., 1/4 sec., 1/8 sec., 1/15 sec., 1/30 sec. • 30p mode: 1/2 sec., 1/4 sec., 1/8 sec., 1/15 sec. • 24p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec. When [SYSTEM MODE] = 50.00 Hz • 50i/50p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec., 1/25 sec. • 25p mode: 1/2 sec., 1/3 sec., 1/6 sec., 1/12 sec.
Recording Media SDHC memory card (4 GB to 32 GB), SDXC memory card (48 GB to 128 GB), UHS-I supported *An SD memory card with a capacity of UHS Speed Class 3 (U3) is required to shoot videos with a bit rate of 100 Mbps or higher. An SDXC memory card with a capacity of 64 GB or more and UHS Speed Class 3 (U3) is required to shoot UHD 2160/59.94p/ 50.00p videos with a bit rate of 150 Mbps or higher.
Recording Format When [Dual Codec] = FHD 50 Mbps [Main Recorder] Recording mode = MOV/MP4 •UHD/29.97p/25.00p/23.98p 100 Mbps [Sub Recorder] Recording mode = Same as the recording mode and the frame rate of the main recorder •FHD/29.97p/25.00p/23.98p 50Mbps When [Dual Codec] = FHD 8 Mbps [Main Recorder] Recording mode = MOV/MP4 •UHD/29.97p/25.00p/23.98p 100 Mbps •FHD/59.94p/50.00p/29.97p/25.00p/23.98p 200 Mbps •FHD/59.94p/50.00p 100 Mbps [Sub Recorder] Recording mode = MOV •FHD/59.94p/50.00p/29.97p/25.00p/23.98p 8 Mbps
HDMI Out HDMI x 1 (HDMI type A terminal, not compatible with VIERA Link) Output format: 2160/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p, 1080/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p/59.94i/50.00i, 720/59.94p/50.00p, 480/59.94p, 576/50.00p
Effective Pixels FHD (1920 x 1080): 15.49 megapixel UHD (3840 x 2160) 59.94p/50.00p: 8.71 megapixel UHD (3840 x 2160) 29.97p/25p.00: 12.89 megapixel 4K (4096 x 2160) 24p: 13.35 megapixel
Filter Diameter 72 mm
Digital Zoom 2x/5x/10x, i.Zoom (1.0x to 1.54x, variable zoom)
Video Output BNC x 1, Composite 1.0 V [p-p], 75 Ω
Built-in Microphone Supports stereo microphone
Audio Output
Audio Input
Dimensions 181 mm (W) x 216 mm (H) x 374 mm (D) (excluding protrusion and eye cup) (7-1/8 inches x 8-1/2 inches x 14-23/32 inches)
Headroom 12 dB
Lens Hood Hood with lens cover
Sensitivity When [HIGH SENS.] mode F11 (2,000 lx, 3,200 K, 89.9% reflect, 1080/59.94i) F12 (2,000 lx, 3,200 K, 89.9% reflect, 1080/50i)
Recording Audio Signal 48 kHz/16 bit, 2 CH
Recording Video Signal 8 bit 4:2:0
Super Gain 30 dB and 36 dB switched (when assigning [S.GAIN] to the USER button)
Video Input/Output
Recording Method MOV, MP4
Memory Card Recorder
Digital Video
Digital Audio
Audio Compression Format LPCM (MOV/MP4) Dolby Digital (AVCHD)
Camera Unit
Shortest Shooting Distance (M.O.D.) Approx. 1.0 m from the front lens
VFR Recording Frame Rate When [SYSTEM MODE] = 59.94 Hz • 60p mode: 2, 15, 30, 40, 55, 58, 60, 62, 65, 75, 90, and 120 fps • 30p mode: 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, and 120 fps • 24p mode: 2, 12, 18, 20, 22, 24, 26, 28, 30, 36, 48, 60, 72, 84, 96, and 120 fps When [SYSTEM MODE] = 50 Hz • 50p mode: 2, 12, 25, 33, 45, 48, 50, 52, 55, 62, 75, 100, and 120 fps • 25p mode: 2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 100, and 120 fps
Minimum Subject Illumination 0.2 lx (F2.8, gain 18 dB, [1/2 sec.], [HIGH SENS.] mode)
Recording Slot Slot x 2
System Format 59.94 Hz / 50 Hz
Gain Setting L/M/H selector switch –6 dB to 24 dB (Adjustable in 1dB steps. Negative gain values are available only when [EXPAND] is enabled, and the automatic setting can be assigned to L/M/H.)
Synchro Scan Shutter When [SYSTEM MODE] = 59.94 Hz • 60i/60p mode: 1/60.0 sec. to 1/249.8 sec. • 30p mode: 1/30.0 sec. to 1/249.8 sec. • 24p mode: 1/24.0 sec. to 1/249.6 sec. When [SYSTEM MODE] = 50.00 Hz • 50i/50p mode: 1/50.0 sec. to 1/250.0 sec. • 25p mode: 1/25.0 sec. to 1/250.0 sec.
Pickup Devices 4/3-type MOS solid state image sensor
Color Temperature Setting ATW, ATW LOCK, Ach, Bch, preset 3200 K/preset 5600 K/VAR (2000 K to 15000 K)
Shutter Open Angle 5.0 deg to 180.0 deg to 360.0 deg (in 0.5 deg steps, angle display)
IR Filter Incorporates the ON/OFF control function
Motion Picture Recording Recording Format: MOV, MP4, AVCHD Recording Mode: *Please see the Video record mode table.
Still Picture Recording JPEG (DCF/Exif2.2) supported 8.8M: 4096 x 2160 (17:9), 8.3M: 3840 x 2160 (16:9), 2.1M: 1920 x 1080 (16:9), 0.2M: 640 x 360 (16:9), 0.3M: 640 x 480 (4:3)
Video Signal for External Output 8 bit 4:2:2/10 bit 4:2:2 (switchable menu) *Output of UHD/59.94p/50.00p becomes 8 bit 4:2:0. When 10 bit 4:2:2 is selected, recording is not possible with the main unit.
Dual Codec
Video Compression Format (Dual Codec) MPEG-4 AVC/H.264 High Profile
Audio Compression Format (Dual Codec) LPCM
Audio Input1/Audio Input2 XLR x 2, 3-pin Input high impedance, LINE/MIC/MIC+48 V (switchable SW) LINE: 4 dBu/0 dBu (switchable menu) MIC: –40 dBu/–50 dBu/–60 dBu (menu)
Headphone 3.5 mm diameter stereo mini jack x 1
DC In DC 12 V (11.4 V to 12.6 V), EIAJ type 4
LCD Monitor 4.3 type HD color monitor, Approx. 2,760,000 dots
Speaker 20 mm diameter, round x 1
TC Preset In/Out BNC x 1, Used as the input and output terminals Input: 1.0 V to 4.0 V [p-p], 10 kΩ Output: 2.0 V ±0.5 V [p-p], low impedance
Included Accessories Battery (VW-VBD58), Battery charger, AC adaptor, Shoulder strap, Microphone holder, Screw for microphone holder (12 mm), AC cable x 2, Eye cup, Lens hood, INPUT terminal cap, CD-ROM (operating instructions)
Audio Out 3.5 mm diameter stereo mini jack x 1, Output level: 600 Ω, 316 mV
Cam Remote 2.5 mm diameter super mini jack x1 (ZOOM, S/S) 3.5 mm diameter mini jack x1 (FOCUS, IRIS)
Other Input/Output
View Finder 0.39 type OLED (organic EL display) Approx. 2,360,000 dots, video display area: approx. 1,770,000 dots
SDI Out (Audio Output) 2 CH (LPCM) switchable gain: 0 dB/–6 dB/–12 dB
HDMI Out (Audio Output) 2 CH (LPCM)
USB (Host) Type A connector, 9-pin, bus power supported In Recording mode; USB2.0 compatible (5 V, 0.5 A) In Playback mode; USB 3.0 compatible (5 V, 0.9 A), used for external media device connection *External media device with a capacity of 32 GB or below or a capacity above 2 TB cannot be used
USB (Device) Micro-B connector, 10-pin, USB 3.0, Mass storage function (read only)
Monitor/Viewfinder
Weight and dimensions are approximate. Specifications are subject to change without notice. *A part of functions are scheduled to be released soon. For details, please visit Panasonic website. (http://pro-av.panasonic.net/). *Not available in some areas.