
The Varicam line of broadcast cameras has been used on a wide variety of movies, commercials, and TV programs, and is renowned for its colour reproduction, look, and for bringing progressive workflows to the production industry. Drawing on the traditions and concept of the original Varicam line, this camcorder helps its users create emotion with its amazing latitude, wide color gamut, and 4K resolution, and also revolutionises workflow with the addition of dual-codec recording, in-camera colour grading, and a modular design. The Varicam 35 4k camcorder is packed with features. See what you can use to create emotion.

Sophisticated and Versatile 4K Broadcast Camcorder
The Varicam 35 4K camcorder incorporates a newly-developed super 35mm MOS image sensor and AVC-ULTRA family of video codecs. The new camera’s superb image handling in multiple formats including 4K, UHD, 2K and HD make it an unparalleled tool for high-end filmmaking, and commercials and episodic production as well as live 4K events.
The Varicam 35 innovative design, includes the 4K camera module unit (AU-V35C1), recording module unit (AU-VREC1), which is also interchangeable with Panasonic’s new 2/3 type camera module unit (AU-V23HS1). Enabling professionals to switch between s35mm and 2/3 type camera heads to best suit their creative needs.
The Varicam 35 4K Broadcast Camcorder has already been utilised for many professional applications:
The Varicam 35 4K broadcast camcorder utilizes a new Panasonic super 35mm MOS sensor for 4096 x 2160 (17:9) 4K image capture; this imager when combined with the AVC-ULTRA codecs for 4K enables very manageable and practical 4K production file sizes. The new imager boasts an impressive 14+ stops of latitude, and faithfully captures high-contrast, wide dynamic range imagery without compromise. Powerful colour management capabilities provide a much extended colour gamut for impeccable image fidelity, and permit support for an Academy Colour Encoding System (ACES) workflow for full fidelity mastering of original source material.
Among the 4k camera/recorder’s top-level production features are real-time, high frame rate, variable speed 4K recording up to 120fps*1, proving the capability for master level 2K/FHD recording; and advanced workflows with parallel simultaneous 4K/ UHD, reference 2K/HD and proxy recordings for in-camera on-set colour grading and monitoring / editing ease. The 4k broadcast camcorder also features a newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality. Lastly, 24-bit LPCM audio is added for in-camera audio master recording.
The Varicam 35 4K broadcast camcorder will deliver an unprecedented breadth of recording formats, including 4K and UHD in AVC-ULTRA 4K, and 2K and FHD in AVC-Intra 100/200*2. Addressing the need for high-speed file exchange, the camera encodes proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing. It also includes Apple ProRes 4444 and ProRes 422 HQ*3 support for HD recording. The ProRes codec component is licensed from ATOMOS Global Pty. Ltd., which has shipped ProRes recorders for years.
The Varicam 35 4K broadcast camcorder will use Panasonic’s new expressP2 card for high frame rate and 4K recording. The camera is equipped with a total of four memory card slots, two for expressP2 cards and two for microP2 cards. The new expressP2 card can record up to 130 minutes of 4K/24p content. The microP2 card is designed for recording HD or 2K at more typical production frame rates.
Professional interfaces include: 3G-HD-SDI x4 for 4K QUAD output; 3G-HD-SDI x2 for RAW output; an HD-SDI out for monitoring (down-converting from 4K); and two XLR inputs to record four channels of 24-bit, 48KHz audio. A multi-connector facilitates docking the camera head to the recording module. In another striking design innovation, the Varicam 35 boasts a removable control panel to facilitate real-time control and easy access when the camera is in a fixed position. The Varicam 35 features a standard 35mm PL mount.
RESOURCES:
Please click here for a list of operation manuals to download. Please click here to view the Broadcast & ProAV Solutions Youtube Playlist.
*1 Future Firmware Upgrade.
*2 AVC-Intra200 is available only for FHD recording.
*3 The Apple ProRes format is licensed from Apple Inc.
Sectors
Click an icon to find out more about the sectors this product is used in.

- Broadcast
- Production
- Freelancer & DOP
Technology
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FILMPRO Special - Camera testingTESTREPORT: Following the remarkable success of the Great Camera Test 1.0, organized in the spring of 2014, and the immense popularity both in print and in the internet of the materials that resulted from it, we’ve decided to hold a new edition of the Test with all new cameras that have come onto the market since that time.
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Mount PleasantPanasonic VariCam used to film Sky 1 comedy-drama Mount Pleasant.
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Behind the scenes on Little RoyBehind the scenes on Little Roy, a Jam Media production for the BBC, shot on the Panasonic VariCam 35.
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Hever castle in HDRADVERTORIAL: Televisual has created a short HDR film to showcase the beautiful scenery in and around Hever Castle. The film, captured on Panasonic cameras with Fujinon lenses, shows the castle in all its vivid and colourful glory.
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VariCam brings the house downVariCam 35 offers a stellar performance on latest children's television commission Apple Tree House.
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13 reasons whyDP Andrij Parekh shoots Netflix’s 13 Reasons Why with VariCam 35 cameras.
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Into the Dark – with ISO 5000It was last autumn when DoP Matthias Bolliger shot the feature film "Nur Gott kann mich richten" by "Chiko"-director Özgür Yildirim on both the Varicam 35 and the Varicam LT.
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Varicam 35 adds authenticity to "Frontier"Frontier is a Canadian historical drama that chronicles the North American fur trade in the late 1700s. The six-part series, which stars Jason Momoa, Alun Armstrong, Allan Hawco, Landon Liboiron, Zoe Boyle and Jessica Matten, is the Discovery Channel’s first original scripted production and was acquired by Netflix for international distribution.
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A Woman's LifeA Woman's Life (Une Vie) is the third film that I have worked on together with Stéphane Brizé, a film director who never stops questioning his approach to filming or searching for what he calls "the real thing" and "what exists" in the shot.
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The Glamour and The GritRoberto Schaefer, ASC, AIC shoots “Star” pilot with VariCam 35s. Star is a new Fox TV music drama.
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Filming dance performances using a VariCam LT by Director of Photography Steeve FrançoisSteeve François has been the Director of Photography for almost three years now for performances by "3e étage" ("3rd floor"), a group of soloists and dancers from the Paris Opera Ballet directed by Samuel Murez.
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Natural History Feature Film with Varicam35Working on various documentary and natural history projects Dick Harrewijn has become an experienced cameraman.
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Warner Bros Christmas fantasy shot on VariCam35Ever since the 1960s Swedish public service television has always aired a special Christmas calendar TV series counting down the days to Christmas eve. The show, produced by Warner Brothers Sweden, is shooting right now and up until the first week of May in Stockholm, using the Panasonic Varicam 35.
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VariCam 35 adds colour to BBC's BrokenDirector of Photography Joel Devlin makes use of the VariCam 35 exclusively to shoot six-part BBC One drama 'Broken', featuring Sean Bean and Anna Friel.
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DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35Anne with an E is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery.
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Dutch wildlife in the cinema - With VariCam in the VeluweIn natural history filming, as on a drama, the emotion and narrative can be enhanced by the cinematography. Whether using traditional long-lens, drone, gimbal or timelapse techniques, every shot should add to the story
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VariCam on the case for MarcellaDirector of Photography Kate Reid brings the VariCam 35 on set to shoot the second series of critically-acclaimed ITV police drama Marcella.
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Up in the air with VariCam 35Director of Photography, Polly Morgan, BSC, adopts Panasonic’s VariCam 35 cinema camera to shoot Netflix’s new drama, 6 Balloons.
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Colourist gives VariCam the green light.Axel Rothe is a cinematographer and colourist specialising in commercial work. He has been working in the industry for six years, shooting commercials, music videos and documentaries.
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VariCam shines a light on ASH: A dramatic thriller with a dark twist.The dual native ISO and flexibility of the VariCam LT and 35 helped to produce ASH, a crime-thriller shot in the South of China by cinematographer Joewi Verhoeven.
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Broadcast and Professional Video Product Lineup Catalog PDF [Aug. 2019]Catalog PDF : Professional Video Product Lineup Catalog
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Cinema Varicam
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2021 Broadcast and Pro AV Quick Reference Guide
Accessories and Software
- Recommended
- Optional
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Microphones & Holders
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Metadata Handling
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Remote Unit / Controller
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Recording Media
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P2 Cards
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Viewfinder
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Dual band, compact wireless moduleAJ-WM50
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Rack remote operation panelAK-HRP200GRemote Operation Panel - Compact Operation Panel, Capable of Supporting IP Control
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30 GB F Series P2 CardAJ-P2E030FG
This P2 card offers up to 30Gb of storage capacity. A single P2 card can record up to 30 minutes with the DVCPRO HD or AVC-Intra 100 codec or up to 60 minutes with the AVC-Intra 50 codec.
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Large Data Storage Capacity, High Transfer Speed, Superb Reliability. Solid-State Memory Card for Professional UseAJ-P2E064FG
AJ-P2E064FG . Extends Recording Times and Lowers Costs The P2 card offers up to 64 GB*1 of storage capacity. Want to talk to Panasonic?.
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Panasonic OLED viewfinder for VariCam 35/PureAU-VCVF2GJ
The AU-VCVF2GJ Viewfinder is successor to the current AU-VCVF1G VariCam Viewfinders, which are highly acclaimed in the cinema production industry. The ad...
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VariCam Accessories
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AU-V35C1G
4K PL Mount Varicam 35 Camera Module
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FILMPRO Special - Camera testingTESTREPORT: Following the remarkable success of the Great Camera Test 1.0, organized in the spring of 2014, and the immense popularity both in print and in the internet of the materials that resulted from it, we’ve decided to hold a new edition of the Test with all new cameras that have come onto the market since that time.Tue, 24/11/2015 - 09:32Mount PleasantPanasonic VariCam used to film Sky 1 comedy-drama Mount Pleasant.Tue, 30/08/2016 - 09:09Behind the scenes on Little RoyBehind the scenes on Little Roy, a Jam Media production for the BBC, shot on the Panasonic VariCam 35.Tue, 04/10/2016 - 12:42Hever castle in HDRADVERTORIAL: Televisual has created a short HDR film to showcase the beautiful scenery in and around Hever Castle. The film, captured on Panasonic cameras with Fujinon lenses, shows the castle in all its vivid and colourful glory.Wed, 11/01/2017 - 10:31VariCam brings the house downVariCam 35 offers a stellar performance on latest children's television commission Apple Tree House.Mon, 22/05/2017 - 08:0713 reasons whyDP Andrij Parekh shoots Netflix’s 13 Reasons Why with VariCam 35 cameras.Mon, 19/06/2017 - 16:45Into the Dark – with ISO 5000It was last autumn when DoP Matthias Bolliger shot the feature film "Nur Gott kann mich richten" by "Chiko"-director Özgür Yildirim on both the Varicam 35 and the Varicam LT.Wed, 05/07/2017 - 14:53Varicam 35 adds authenticity to "Frontier"Frontier is a Canadian historical drama that chronicles the North American fur trade in the late 1700s. The six-part series, which stars Jason Momoa, Alun Armstrong, Allan Hawco, Landon Liboiron, Zoe Boyle and Jessica Matten, is the Discovery Channel’s first original scripted production and was acquired by Netflix for international distribution.Wed, 05/07/2017 - 17:01
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A Woman's LifeA Woman's Life (Une Vie) is the third film that I have worked on together with Stéphane Brizé, a film director who never stops questioning his approach to filming or searching for what he calls "the real thing" and "what exists" in the shot.Wed, 05/07/2017 - 17:11The Glamour and The GritRoberto Schaefer, ASC, AIC shoots “Star” pilot with VariCam 35s. Star is a new Fox TV music drama.Wed, 05/07/2017 - 17:13Filming dance performances using a VariCam LT by Director of Photography Steeve FrançoisSteeve François has been the Director of Photography for almost three years now for performances by "3e étage" ("3rd floor"), a group of soloists and dancers from the Paris Opera Ballet directed by Samuel Murez.Wed, 05/07/2017 - 17:22Natural History Feature Film with Varicam35Working on various documentary and natural history projects Dick Harrewijn has become an experienced cameraman.Wed, 05/07/2017 - 17:22Warner Bros Christmas fantasy shot on VariCam35Ever since the 1960s Swedish public service television has always aired a special Christmas calendar TV series counting down the days to Christmas eve. The show, produced by Warner Brothers Sweden, is shooting right now and up until the first week of May in Stockholm, using the Panasonic Varicam 35.Wed, 05/07/2017 - 17:22VariCam 35 adds colour to BBC's BrokenDirector of Photography Joel Devlin makes use of the VariCam 35 exclusively to shoot six-part BBC One drama 'Broken', featuring Sean Bean and Anna Friel.Tue, 25/07/2017 - 12:55DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35Anne with an E is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery.Mon, 14/08/2017 - 15:39Dutch wildlife in the cinema - With VariCam in the VeluweIn natural history filming, as on a drama, the emotion and narrative can be enhanced by the cinematography. Whether using traditional long-lens, drone, gimbal or timelapse techniques, every shot should add to the storyWed, 04/10/2017 - 10:18
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VariCam on the case for MarcellaDirector of Photography Kate Reid brings the VariCam 35 on set to shoot the second series of critically-acclaimed ITV police drama Marcella.Thu, 22/02/2018 - 14:24Up in the air with VariCam 35Director of Photography, Polly Morgan, BSC, adopts Panasonic’s VariCam 35 cinema camera to shoot Netflix’s new drama, 6 Balloons.Mon, 02/07/2018 - 11:00Colourist gives VariCam the green light.Axel Rothe is a cinematographer and colourist specialising in commercial work. He has been working in the industry for six years, shooting commercials, music videos and documentaries.Fri, 21/09/2018 - 12:22VariCam shines a light on ASH: A dramatic thriller with a dark twist.The dual native ISO and flexibility of the VariCam LT and 35 helped to produce ASH, a crime-thriller shot in the South of China by cinematographer Joewi Verhoeven.Tue, 18/12/2018 - 08:39
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Broadcast and Professional Video Product Lineup Catalog PDF [Aug. 2019]Catalog PDF : Professional Video Product Lineup CatalogThu, 11/07/2019 - 06:06
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VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"Tue, 20/03/2018 - 10:58VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"Tue, 20/03/2018 - 10:57VariCam HDR Master Class | FSF 2017 | TrailerVariCam HDR Master Class | FSF 2017 | TrailerMon, 12/02/2018 - 15:04VariCam HDR Master Class | Camerimage 2016 | TrailerVariCam HDR Master Class | Camerimage 2016 | TrailerMon, 12/02/2018 - 15:04HDR and Colour Managed Workflow | BSCEXPO 2017 TrailerHDR and Colour Managed Workflow | BSCEXPO 2017 TrailerMon, 12/02/2018 - 15:04Dado Valentic reveals the HDR Colour Managment on VariCamDado Valentic reveals the HDR Colour Managment on VariCamMon, 12/02/2018 - 15:04Behind the scenes on Mount PleasantBehind the scenes on Mount PleasantTue, 20/03/2018 - 10:58Behind the scenes on Mount PleasantBehind the scenes on Mount PleasantMon, 12/02/2018 - 13:50
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Vanja Černjul ASC DoP about working with VariCam and HDR workflowVanja Černjul ASC DoP about working with VariCam and HDR workflowMon, 12/02/2018 - 15:04Spectacular wildlife sizzle reelSpectacular wildlife sizzle reelTue, 20/03/2018 - 10:58Stunning TV and Cinema productions shot on VariCam35 and VariCamLT in our IBC 2016 sizzle reelStunning TV and Cinema productions shot on VariCam35 and VariCamLT in our IBC 2016 sizzle reelTue, 20/03/2018 - 10:57Panasonic Live @ IBC - VariCam LT and VariCam PurePanasonic Live @ IBC - VariCam LT and VariCam PureTue, 20/03/2018 - 10:58Shot on VariCam 35/LT: “ISO5000, Dual Native ISOShot on VariCam 35/LT: “ISO5000, Dual Native ISOTue, 20/03/2018 - 10:58VariCam 35 Testimonial from "Ranczo" (long)VariCam 35 Testimonial from "Ranczo" (long)Tue, 20/03/2018 - 10:58VariCam 35 Testimonial from "Ranczo" (short)VariCam 35 Testimonial from "Ranczo" (short)Tue, 20/03/2018 - 10:57
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Shot on VariCam 35: "Fire and Ice"Shot on VariCam 35: "Fire and Ice"Tue, 20/03/2018 - 10:58"Fire and Ice" shot on VariCam 35 Behind the Scenes -Ice-"Fire and Ice" shot on VariCam 35 Behind the Scenes -Ice-Tue, 20/03/2018 - 10:58VariCam captures Hampton Court 500 celebrationsVariCam captures Hampton Court 500 celebrationsTue, 20/03/2018 - 10:58Falco Trio - Someone to lean on (Official Video) shot on Panasonic VariCam 35Falco Trio - Someone to lean on (Official Video) shot on Panasonic VariCam 35Tue, 20/03/2018 - 10:58"Swilly Girl" trailer created with VariCam 35"Swilly Girl" trailer created with VariCam 35Tue, 20/03/2018 - 10:58
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Introducing Panasonic’s new range of 4K technologyIntroducing Panasonic’s new range of 4K technologyTue, 20/03/2018 - 10:57A Testimonial With Suny Behar: The First Production Shot On VariCam 35A Testimonial With Suny Behar: The First Production Shot On VariCam 35Tue, 20/03/2018 - 10:58An exploration in 4K with the Panasonic VariCam 35An exploration in 4K with the Panasonic VariCam 35Tue, 20/03/2018 - 10:58Panasonic Live @ IBC - HDR with colorfront shot on Panasonic VariCamPanasonic Live @ IBC - HDR with colorfront shot on Panasonic VariCamMon, 12/02/2018 - 15:04Atomos integration to production workflows | Panasonic Live @IBC 2017Atomos integration to production workflows | Panasonic Live @IBC 2017Mon, 19/02/2018 - 09:47
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Shooting with VariCam by Patrick A. Stewart | PanasonicWe met cinematographer Patrick A. Stewart at the Camerimage 2017 in Bydgoszcz and had the pleasure of talking to him about his experience with Panasonic’s VariCam. Looking for change Stewart came across the VariCam LT, which he decided to used for the Netflix TV series Arrested Development. Find out why he opted for the VariCam LT and what shooting was like with the digital cinema camera in this interview. More interviews coming out soon, so subscribe to not miss them.Tue, 20/02/2018 - 17:16Shooting with VariCam by Dick Harrewijn | PanasonicCinematographer, Dick Harrewijn, explains in depth the reasons why he chose the VariCam to shoot his documentary film "WILD". Discover the spectacular imagery portrayed in the film and learn why its imaging capabilities make the VariCam ideal for all types of cinematography.Tue, 29/05/2018 - 13:30Shooting with VariCam by Marek Traskowski | PanasonicWe interviewed cinematographer, Marek Trakowski, why he chose the Panasonic VariCam LT to shoot the Polish TV series "Drogi Wolności” - “The paths of freedom”. The experienced filmmaker discusses the advantages of the VariCams LT's dual native sensitivity and superb lowlight filming abilities. Learn how the VariCam allows cinematographers to shoot in almost any lighting environment. Get more information on the Panasonic camera.Tue, 29/05/2018 - 13:34Matthias Bolliger on the Dual Native ISO on VariCam 35Video, Panasonic Newsroom IBC 2018Fri, 05/10/2018 - 10:32Shooting with VariCamInterview with Matthias Bolliger (English Subtitles)Wed, 09/01/2019 - 09:58
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VariCam 35 with expressP2 highProduct Image : VariCam 35 with expressP2 highTue, 20/03/2018 - 10:58VariCam 35 with expressP2 lowProduct Image : VariCam 35 with expressP2 lowTue, 20/03/2018 - 10:58VariCam 35 with expressP2 Side highProduct Image : VariCam 35 with expressP2 Side highTue, 20/03/2018 - 10:57VariCam 35 with expressP2 Side lowProduct Image : VariCam 35 with expressP2 Side lowTue, 20/03/2018 - 10:58
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Broadcast & ProAV Operating Manual DatabaseLink to the Panasonic global Operation Manual Database for Broadcast & ProAV ProductsMon, 12/02/2018 - 13:50
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AU-V35C1/AU-V23HS1/AU-VREC1 Firmware[Ver. 6.00-00-0.06] [Oct. 11, 2016]Tue, 14/08/2018 - 09:50
Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.
General service & downloads Contact technical supportPlease see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.
General service & downloads Contact technical supportThere are currently no key services available.
Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.
General service & downloads Contact technical supportThere are currently no other services available.
Specifications
Power | DC 12 V(11.0 V – 17.0 V) |
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Operating Temperature | 0°C to 40°C |
Power Consumption | 69 W (Body only) 99 W(with all optional accessories connected and maximum power supplied from each output terminal) |
Operating Humidity | 10% to 85% (relative humidity) |
Weight | Approx. 5.0kg (Excluding protrusion) |
Dimensions (W x H x D) | 179 mm×230.5 mm×347 mm (7-1/16inches x 9-1/16inches x 13 -21/32inches) (Body only, excluding protrusion) |
Storage Temperature | −20°C to 60°C |
Gain Settings | [ISO] mode: ISO 800 to 12800 [dB] mode: 0 to 24 dB (3dB step) |
Pickup Devices | super35 mm MOS 8.9 million pixels |
Shutter Speed | [deg] mode: 1.0 to 358 deg (0.5deg step) [sec] mode: 1/24 to 1/250 (When 24p mode) |
Lens Mount | 35 mm PL mount |
Optical Filter | ND filter: 1: CLEAR, 2: 0.6 ND 3: 1.2 ND, 4: 1.8 ND |
Recording Media | expressP2 card, P2 card, microP2 card |
Recording Format | Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/ AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444 Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50, AVC LongG 25 |
Recording Video Signal | 4096×2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p 3840×2160 / 59.94p, 50p, 29.97p, 25p, 23.98p 2048×1080 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p 1920×1080 / 59.94p, 50p, 29.97p, 25p, 23.98p |
Recording Resolution | 4096×2160, 3840×2160, 2048×1080, 1920×1080 |
Memory Card Recorder | |
Recording Framerate | Maximum 4K/UHD 100p/120p, HD 100p/120p |
System Frequency | 59.94p, 50p, 29.97p, 25p, 24p, 23.98p |
Recording/Playback Time (Main Codec) (when Express P2 Card 256GB is used)*2 | Approx. 45 min. (AVC-Intra 4K444, 24p) Approx. 90 min. (AVC-Intra4K 422, VFR OFF, 24p) Approx. 36 min. (AVC-Intra4K 4:2:2, VFR ON, 50p/59.94p) Approx. 32 min. (AVC-Intra 4K-LT VFR:ON, 100fps/120fps) Approx. 64 min. (AVC-Intra 100, VFR ON, 100fps/120fps) Approx. 60 min. (ProRes 422 HQ, VFR:ON, 60fps) Approx. 110min. (ProRes4444, VFR:OFF, 24p) |
Recording/Playback Time (Sub Codec) (when Micro P2 Card 64GB is used)*2 | Approx. 64 min. (AVC-Intra 2K422, 25.00p/29.97p) Approx. 64 min. (AVC-Intra100, 25p/29.97p) Approx. 128 min. (AVC-LongG50, 25p/29.97p) Approx. 256 min. (AVC-LongG25, 25p/29.97p |
Quantizing | 12bit(AVC-Intra 4K444), 10 bit (Other than AVC-Intra 4K444) |
Proxy | |
Digital Video | |
Video Compression Format | AVC Intra 4K444, AVC Intra 4K422, AVC-Intra 4K-LT, AVC-Intra 2K422, AVC-Intra100:MPEG-4 AVC/H.264 Intra Profile AVC LongG50, AVC LongG25:MPEG-4 AVC/H.264 ProRes 422 HQ、ProRes4444 |
Audio Compression Format | LPCM |
Recording Time (1GB)*2 | Approx.25 min. |
SDI Out | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω (1 set, 4 pieces) |
Video Input/Output | |
MON Out1 | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω |
MON Out2 | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω |
VF SDI | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω |
DC In | XLR 4 pin, DC 12 V (DC 11.0 V to 17.0 V) |
Lens | 12pinx1, 4pinx2 |
Genlock In | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω |
DC Out | 2 pin, DC12 V (DC11.0 V to 17.0 V), maximum output current 1.0 A |
Speaker | 20 mm diameter, round x 1 |
Phones | Stereo mini jack |
TC In/Out | HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω |
Audio Input/Output | |
Other Input/Output | |
DC Out/RS | 4 pin, DC12 V (DC11.0 V to 17.0 V), maximum output current 1.0 A |
Audio In: (CH1/CH2) | XLR x 2, 3 pin, LINE/MIC/MIC+48V/AES switchable |
LAN | 100BASE-TX/10BASE-T |
VF | 14 pin |
USB 2.0 (Device) | Type B connector, 4 pin |
USB 2.0 (Host) | Type A connector, 4 pin |
Control Panel (LCD) | 3.5-type QHD color monitor (Approx. 1.56 million dots) |
Electronic HD Color View Finder (AU-VCVF1G) | |
Display Panel | OLED, 0.7-type, 2.76 million dots |
Signal Input | 1080/59.94p, 1080/50p, 1080/60p |
General (Combination of AU-V35C1G and AU-VREC1G) | |
Camera Module (AU-V35C1G) | |
Recording Module (AU-VREC1G) When used with AU-V35C1G | |
Recording Audio Signal | 48 kHz/24 bit, 4ch Head room 18 dB/20 dB menu switchable |
Digital Audio | |
Video Compression Format (Proxy) | H.264/AVC High Profile |
EXT | 50 pin (for external recording only) |
*1: Specification is as of July 2015. Specification subject to change upon firmware upgrade. *2: These are reference values for continuous recording. The recording time may differ depending on the scene or the number of clips. |

