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    VariCam 35
    Key Features
    Super 35mm Native 4K sensor that provides true 4K images with a dynamic range of 14+ stops for HDR image capture
    Dual-native ISO settings of 800 and 5000 which achieves much higher sensitivity without increasing noise
    Variable frame-rate recording from 1-120fps which enables both overcranking and undercranking
    Expansive colour gamut that exceeds BT2020 - the colour space required for HDR content delivery
    Modular design allows front-end to be detached from recorder via optional 5m or 20m extension cable
    Enquire about this product Full Specification Where to buy this product

    The Varicam line of broadcast cameras has been used on a wide variety of movies, commercials, and TV programs, and is renowned for its colour reproduction, look, and for bringing progressive workflows to the production industry. Drawing on the traditions and concept of the original Varicam line, this camcorder helps its users create emotion with its amazing latitude, wide color gamut, and 4K resolution, and also revolutionises workflow with the addition of dual-codec recording, in-camera colour grading, and a modular design. The Varicam 35 4k camcorder is packed with features. See what you can use to create emotion.

    Sophisticated and Versatile 4K Broadcast Camcorder

    The Varicam 35 4K camcorder incorporates a newly-developed super 35mm MOS image sensor and AVC-ULTRA family of video codecs. The new camera’s superb image handling in multiple formats including 4K, UHD, 2K and HD make it an unparalleled tool for high-end filmmaking, and commercials and episodic production as well as live 4K events.

    The Varicam 35 innovative design, includes  the 4K camera module unit  (AU-V35C1), recording module unit (AU-VREC1), which is also interchangeable with Panasonic’s new 2/3 type camera module unit (AU-V23HS1). Enabling professionals to switch between s35mm and 2/3 type camera heads to best suit their creative needs.

    The Varicam 35 4K Broadcast Camcorder has already been utilised for many professional applications:

    The Varicam 35 4K broadcast camcorder utilizes a new Panasonic super 35mm MOS sensor for 4096 x 2160 (17:9) 4K image capture; this imager when combined with the AVC-ULTRA codecs for 4K enables very manageable and practical 4K production file sizes. The new imager boasts an impressive 14+ stops of latitude, and faithfully captures high-contrast, wide dynamic range imagery without compromise. Powerful colour management capabilities provide a much extended colour gamut for impeccable image fidelity, and permit support for an Academy Colour Encoding System (ACES) workflow for full fidelity mastering of original source material.

    Among the 4k camera/recorder’s top-level production features are real-time, high frame rate, variable speed 4K recording up to 120fps*1, proving the capability for master level 2K/FHD recording; and advanced workflows with parallel simultaneous 4K/ UHD, reference 2K/HD and proxy recordings for in-camera on-set colour grading and monitoring / editing ease.  The 4k broadcast camcorder also features a newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality. Lastly, 24-bit LPCM audio is added for in-camera audio master recording.

    The Varicam 35 4K broadcast camcorder will deliver an unprecedented breadth of recording formats, including 4K and UHD in AVC-ULTRA 4K, and 2K and FHD in AVC-Intra 100/200*2. Addressing the need for high-speed file exchange, the camera encodes proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing. It also includes Apple ProRes 4444 and ProRes 422 HQ*3 support for HD recording. The ProRes codec component is licensed from ATOMOS Global Pty. Ltd., which has shipped ProRes recorders for years.

    The Varicam 35 4K broadcast camcorder will use Panasonic’s new expressP2 card for high frame rate and 4K recording.  The camera is equipped with a total of four memory card slots, two for expressP2 cards and two for microP2 cards. The new expressP2 card can record up to 130 minutes of 4K/24p content.  The microP2 card is designed for recording HD or 2K at more typical production frame rates.

    Professional interfaces include: 3G-HD-SDI x4 for 4K QUAD output; 3G-HD-SDI x2 for RAW output; an HD-SDI out for monitoring (down-converting from 4K); and two XLR inputs to record four channels of 24-bit, 48KHz audio. A multi-connector facilitates docking the camera head to the recording module. In another striking design innovation, the Varicam 35 boasts a removable control panel to facilitate real-time control and easy access when the camera is in a fixed position. The Varicam 35 features a standard 35mm PL mount.

     

    RESOURCES:

    Please click here for a list of operation manuals to download. Please click here to view the Broadcast & ProAV Solutions Youtube Playlist.

     

    *1 Future Firmware Upgrade.
    *2 AVC-Intra200 is available only for FHD recording.
    *3 The Apple ProRes format is licensed from Apple Inc.

     

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    Sectors

    Click an icon to find out more about the sectors this product is used in.

    Broadcast
    Broadcast
    • Broadcast
    • Production
    • Freelancer & DOP

    Technology

    Click an icon to find out more about the technology used

    4K Professional Gold Varicam Logo Bright P2 AVC ULTRA Emboss ProRes Logo ExpressP2 MicroP2 4K Professional HDR Gold
    • Images
    • Videos
    • Case Studies
    • Brochures
    • FILMPRO Special - Camera testing
      FILMPRO Special - Camera testing
      TESTREPORT: Following the remarkable success of the Great Camera Test 1.0, organized in the spring of 2014, and the immense popularity both in print and in the internet of the materials that resulted from it, we’ve decided to hold a new edition of the Test with all new cameras that have come onto the market since that time.
    • Mount Pleasant
      Mount Pleasant
      Panasonic VariCam used to film Sky 1 comedy-drama Mount Pleasant.
    • Behind the scenes on Little Roy
      Behind the scenes on Little Roy
      Behind the scenes on Little Roy, a Jam Media production for the BBC, shot on the Panasonic VariCam 35.  
    • Hever castle in HDR
      Hever castle in HDR
      ADVERTORIAL: Televisual has created a short HDR film to showcase the beautiful scenery in and around Hever Castle. The film, captured on Panasonic cameras with Fujinon lenses, shows the castle in all its vivid and colourful glory.
    • VariCam brings the house down
      VariCam brings the house down
      VariCam 35 offers a stellar performance on latest children's television commission Apple Tree House.
    • 13 reasons why
      13 reasons why
      DP Andrij Parekh shoots Netflix’s 13 Reasons Why with VariCam 35 cameras.
    • Into the Dark – with ISO 5000
      Into the Dark – with ISO 5000
      It was last autumn when DoP Matthias Bolliger shot the feature film "Nur Gott kann mich richten" by "Chiko"-director Özgür Yildirim on both the Varicam 35 and the Varicam LT.
    • Varicam 35 adds authenticity to "Frontier"
      Varicam 35 adds authenticity to "Frontier"
      Frontier is a Canadian historical drama that chronicles the North American fur trade in the late 1700s. The six-part series, which stars Jason Momoa, Alun Armstrong, Allan Hawco, Landon Liboiron, Zoe Boyle and Jessica Matten, is the Discovery Channel’s first original scripted production and was acquired by Netflix for international distribution.
    • A Woman
      A Woman's Life
      A Woman's Life (Une Vie) is the third film that I have worked on together with Stéphane Brizé, a film director who never stops questioning his approach to filming or searching for what he calls "the real thing" and "what exists" in the shot.
    • The Glamour and The Grit
      The Glamour and The Grit
      Roberto Schaefer, ASC, AIC shoots “Star” pilot with VariCam 35s. Star is a new Fox TV music drama.
    • Filming dance performances using a VariCam LT by Director of Photography Steeve François
      Filming dance performances using a VariCam LT by Director of Photography Steeve François
      Steeve François has been the Director of Photography for almost three years now for performances by "3e étage" ("3rd floor"), a group of soloists and dancers from the Paris Opera Ballet directed by Samuel Murez.
    • Natural History Feature Film with Varicam35
      Natural History Feature Film with Varicam35
      Working on various documentary and natural history projects Dick Harrewijn has become an experienced cameraman.
    • Warner Bros Christmas fantasy shot on VariCam35
      Warner Bros Christmas fantasy shot on VariCam35
      Ever since the 1960s Swedish public service television has always aired a special Christmas calendar TV series counting down the days to Christmas eve. The show, produced by Warner Brothers Sweden, is shooting right now and up until the first week of May in Stockholm, using the Panasonic Varicam 35.
    • VariCam 35 adds colour to BBC
      VariCam 35 adds colour to BBC's Broken
      Director of Photography Joel Devlin makes use of the VariCam 35 exclusively to shoot six-part BBC One drama 'Broken', featuring Sean Bean and Anna Friel.
    • DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35
      DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35
      Anne with an E is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery.
    • Dutch wildlife in the cinema - With VariCam in the Veluwe
      Dutch wildlife in the cinema - With VariCam in the Veluwe
      In natural history filming, as on a drama, the emotion and narrative can be enhanced by the cinematography. Whether using traditional long-lens, drone, gimbal or timelapse techniques, every shot should add to the story
    • VariCam on the case for Marcella
      VariCam on the case for Marcella
      Director of Photography Kate Reid brings the VariCam 35 on set to shoot the second series of critically-acclaimed ITV police drama Marcella.
    • Up in the air with VariCam 35
      Up in the air with VariCam 35
      Director of Photography, Polly Morgan, BSC, adopts Panasonic’s VariCam 35 cinema camera to shoot Netflix’s new drama, 6 Balloons.
    • Colourist gives VariCam the green light.
      Colourist gives VariCam the green light.
      Axel Rothe is a cinematographer and colourist specialising in commercial work. He has been working in the industry for six years, shooting commercials, music videos and documentaries.
    • VariCam shines a light on ASH: A dramatic thriller with a dark twist.
      VariCam shines a light on ASH: A dramatic thriller with a dark twist.
      The dual native ISO and flexibility of the VariCam LT and 35 helped to produce ASH, a crime-thriller shot in the South of China by cinematographer Joewi Verhoeven.

    Accessories and Software

     
    • Microphones & Holders
    • Metadata Handling
    • Remote Unit / Controller
    • Recording Media
    • P2 Cards
    • VariCam Accessories
    • Dual band, compact wireless module
      AJ-WM50

      The AJ-WM50 is the dual band, compact wireless module for P2HD and AG-DVX200 camera recorders.

    • Rack remote operation panel
      AK-HRP200G
      Remote Operation Panel - Compact Operation Panel, Capable of Supporting IP Control
    • 30 GB F Series P2 Card
      AJ-P2E030FG

      This P2 card offers up to 30Gb of storage capacity. A single P2 card can record up to 30 minutes with the DVCPRO HD or AVC-Intra 100 codec or up to 60 minutes with the AVC-Intra 50 codec. 

    • Large Data Storage Capacity, High Transfer Speed, Superb Reliability. Solid-State Memory Card for Professional Use
      AJ-P2E064FG

      AJ-P2E064FG . Extends Recording Times and Lowers Costs The P2 card offers up to 64 GB*1 of storage capacity. Want to talk to Panasonic?.

    • AU-V35C1G

      4K PL Mount Varicam 35 Camera Module

    Marketing
    Case Studies
    Brochures
    Marketing Videos
    Product
    Image Data
    Technical
    Operating Instructions
    Firmware
    General
    Logo Data
    Service and Support
    • FILMPRO Special - Camera testing
      FILMPRO Special - Camera testing
      TESTREPORT: Following the remarkable success of the Great Camera Test 1.0, organized in the spring of 2014, and the immense popularity both in print and in the internet of the materials that resulted from it, we’ve decided to hold a new edition of the Test with all new cameras that have come onto the market since that time.
      Tue, 24/11/2015 - 09:32
      Download pdf - 6.04 MB
      Mount Pleasant
      Mount Pleasant
      Panasonic VariCam used to film Sky 1 comedy-drama Mount Pleasant.
      Tue, 30/08/2016 - 09:09
      Download pdf - 1.14 MB
      Behind the scenes on Little Roy
      Behind the scenes on Little Roy
      Behind the scenes on Little Roy, a Jam Media production for the BBC, shot on the Panasonic VariCam 35.  
      Tue, 04/10/2016 - 12:42
      Download pdf - 1.26 MB
      Hever castle in HDR
      Hever castle in HDR
      ADVERTORIAL: Televisual has created a short HDR film to showcase the beautiful scenery in and around Hever Castle. The film, captured on Panasonic cameras with Fujinon lenses, shows the castle in all its vivid and colourful glory.
      Wed, 11/01/2017 - 10:31
      Download pdf - 10.51 MB
      VariCam brings the house down
      VariCam brings the house down
      VariCam 35 offers a stellar performance on latest children's television commission Apple Tree House.
      Mon, 22/05/2017 - 08:07
      Download pdf - 1.26 MB
      13 reasons why
      13 reasons why
      DP Andrij Parekh shoots Netflix’s 13 Reasons Why with VariCam 35 cameras.
      Mon, 19/06/2017 - 16:45
      Download pdf - 1.89 MB
      Into the Dark – with ISO 5000
      Into the Dark – with ISO 5000
      It was last autumn when DoP Matthias Bolliger shot the feature film "Nur Gott kann mich richten" by "Chiko"-director Özgür Yildirim on both the Varicam 35 and the Varicam LT.
      Wed, 05/07/2017 - 14:53
      Download - bytes
      Varicam 35 adds authenticity to "Frontier"
      Varicam 35 adds authenticity to "Frontier"
      Frontier is a Canadian historical drama that chronicles the North American fur trade in the late 1700s. The six-part series, which stars Jason Momoa, Alun Armstrong, Allan Hawco, Landon Liboiron, Zoe Boyle and Jessica Matten, is the Discovery Channel’s first original scripted production and was acquired by Netflix for international distribution.
      Wed, 05/07/2017 - 17:01
      Download - bytes
    • A Woman
      A Woman's Life
      A Woman's Life (Une Vie) is the third film that I have worked on together with Stéphane Brizé, a film director who never stops questioning his approach to filming or searching for what he calls "the real thing" and "what exists" in the shot.
      Wed, 05/07/2017 - 17:11
      Download - bytes
      The Glamour and The Grit
      The Glamour and The Grit
      Roberto Schaefer, ASC, AIC shoots “Star” pilot with VariCam 35s. Star is a new Fox TV music drama.
      Wed, 05/07/2017 - 17:13
      Download - bytes
      Filming dance performances using a VariCam LT by Director of Photography Steeve François
      Filming dance performances using a VariCam LT by Director of Photography Steeve François
      Steeve François has been the Director of Photography for almost three years now for performances by "3e étage" ("3rd floor"), a group of soloists and dancers from the Paris Opera Ballet directed by Samuel Murez.
      Wed, 05/07/2017 - 17:22
      Download - bytes
      Natural History Feature Film with Varicam35
      Natural History Feature Film with Varicam35
      Working on various documentary and natural history projects Dick Harrewijn has become an experienced cameraman.
      Wed, 05/07/2017 - 17:22
      Download - bytes
      Warner Bros Christmas fantasy shot on VariCam35
      Warner Bros Christmas fantasy shot on VariCam35
      Ever since the 1960s Swedish public service television has always aired a special Christmas calendar TV series counting down the days to Christmas eve. The show, produced by Warner Brothers Sweden, is shooting right now and up until the first week of May in Stockholm, using the Panasonic Varicam 35.
      Wed, 05/07/2017 - 17:22
      Download - bytes
      VariCam 35 adds colour to BBC
      VariCam 35 adds colour to BBC's Broken
      Director of Photography Joel Devlin makes use of the VariCam 35 exclusively to shoot six-part BBC One drama 'Broken', featuring Sean Bean and Anna Friel.
      Tue, 25/07/2017 - 12:55
      Download pdf - 4.1 MB
      DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35
      DP Bobby Shore Shoots Netflix’s Anne with an E with VariCam 35
      Anne with an E is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery.
      Mon, 14/08/2017 - 15:39
      Download - bytes
      Dutch wildlife in the cinema - With VariCam in the Veluwe
      Dutch wildlife in the cinema - With VariCam in the Veluwe
      In natural history filming, as on a drama, the emotion and narrative can be enhanced by the cinematography. Whether using traditional long-lens, drone, gimbal or timelapse techniques, every shot should add to the story
      Wed, 04/10/2017 - 10:18
      Download pdf - 530.01 KB
    • VariCam on the case for Marcella
      VariCam on the case for Marcella
      Director of Photography Kate Reid brings the VariCam 35 on set to shoot the second series of critically-acclaimed ITV police drama Marcella.
      Thu, 22/02/2018 - 14:24
      Download pdf - 2.46 MB
      Up in the air with VariCam 35
      Up in the air with VariCam 35
      Director of Photography, Polly Morgan, BSC, adopts Panasonic’s VariCam 35 cinema camera to shoot Netflix’s new drama, 6 Balloons.
      Mon, 02/07/2018 - 11:00
      Download pdf - 3.12 MB
      Colourist gives VariCam the green light.
      Colourist gives VariCam the green light.
      Axel Rothe is a cinematographer and colourist specialising in commercial work. He has been working in the industry for six years, shooting commercials, music videos and documentaries.
      Fri, 21/09/2018 - 12:22
      Download pdf - 2.11 MB
      VariCam shines a light on ASH: A dramatic thriller with a dark twist.
      VariCam shines a light on ASH: A dramatic thriller with a dark twist.
      The dual native ISO and flexibility of the VariCam LT and 35 helped to produce ASH, a crime-thriller shot in the South of China by cinematographer Joewi Verhoeven.
      Tue, 18/12/2018 - 08:39
      Download pdf - 8.2 MB
    • VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      Tue, 20/03/2018 - 10:58
      View video
      VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      VariCam35: 4K HDR TV Commerical "Hollywood to Your Home"
      Tue, 20/03/2018 - 10:57
      View video
      VariCam HDR Master Class | FSF 2017 | Trailer
      VariCam HDR Master Class | FSF 2017 | Trailer
      VariCam HDR Master Class | FSF 2017 | Trailer
      Mon, 12/02/2018 - 15:04
      View video
      VariCam HDR Master Class | Camerimage 2016 | Trailer
      VariCam HDR Master Class | Camerimage 2016 | Trailer
      VariCam HDR Master Class | Camerimage 2016 | Trailer
      Mon, 12/02/2018 - 15:04
      View video
      HDR and Colour Managed Workflow | BSCEXPO 2017 Trailer
      HDR and Colour Managed Workflow | BSCEXPO 2017 Trailer
      HDR and Colour Managed Workflow | BSCEXPO 2017 Trailer
      Mon, 12/02/2018 - 15:04
      View video
      Dado Valentic reveals the HDR Colour Managment on VariCam
      Dado Valentic reveals the HDR Colour Managment on VariCam
      Dado Valentic reveals the HDR Colour Managment on VariCam
      Mon, 12/02/2018 - 15:04
      View video
      Behind the scenes on Mount Pleasant
      Behind the scenes on Mount Pleasant
      Behind the scenes on Mount Pleasant
      Tue, 20/03/2018 - 10:58
      View video
      Behind the scenes on Mount Pleasant
      Behind the scenes on Mount Pleasant
      Behind the scenes on Mount Pleasant
      Mon, 12/02/2018 - 13:50
      View video
    • Vanja Černjul ASC DoP about working with VariCam and HDR workflow
      Vanja Černjul ASC DoP about working with VariCam and HDR workflow
      Vanja Černjul ASC DoP about working with VariCam and HDR workflow
      Mon, 12/02/2018 - 15:04
      View video
      Spectacular wildlife sizzle reel
      Spectacular wildlife sizzle reel
      Spectacular wildlife sizzle reel
      Tue, 20/03/2018 - 10:58
      View video
      Stunning TV and Cinema productions shot on VariCam35 and VariCamLT in our IBC 2016 sizzle reel
      Stunning TV and Cinema productions shot on VariCam35 and VariCamLT in our IBC 2016 sizzle reel
      Stunning TV and Cinema productions shot on VariCam35 and VariCamLT in our IBC 2016 sizzle reel
      Tue, 20/03/2018 - 10:57
      View video
      Behind the scenes on Little Roy
      Behind the scenes on Little Roy
      Behind the scenes on Little Roy
      Tue, 20/03/2018 - 10:58
      View video
      Panasonic Live @ IBC - VariCam LT and VariCam Pure
      Panasonic Live @ IBC - VariCam LT and VariCam Pure
      Panasonic Live @ IBC - VariCam LT and VariCam Pure
      Tue, 20/03/2018 - 10:58
      View video
      Shot on VariCam 35/LT: “ISO5000, Dual Native ISO
      Shot on VariCam 35/LT: “ISO5000, Dual Native ISO
      Shot on VariCam 35/LT: “ISO5000, Dual Native ISO
      Tue, 20/03/2018 - 10:58
      View video
      VariCam 35 Testimonial from "Ranczo" (long)
      VariCam 35 Testimonial from "Ranczo" (long)
      VariCam 35 Testimonial from "Ranczo" (long)
      Tue, 20/03/2018 - 10:58
      View video
      VariCam 35 Testimonial from "Ranczo" (short)
      VariCam 35 Testimonial from "Ranczo" (short)
      VariCam 35 Testimonial from "Ranczo" (short)
      Tue, 20/03/2018 - 10:57
      View video
    • Shot on VariCam 35: "UK Lights"
      Shot on VariCam 35: "UK Lights"
      Shot on VariCam 35: "UK Lights"
      Tue, 20/03/2018 - 10:58
      View video
      Shot on VariCam 35: "LA Night"
      Shot on VariCam 35: "LA Night"
      Shot on VariCam 35: "LA Night"
      Tue, 20/03/2018 - 10:58
      View video
      Shot on VariCam 35: "Fire and Ice"
      Shot on VariCam 35: "Fire and Ice"
      Shot on VariCam 35: "Fire and Ice"
      Tue, 20/03/2018 - 10:58
      View video
      "Fire and Ice" shot on VariCam 35 Behind the Scenes -Ice-
      "Fire and Ice" shot on VariCam 35 Behind the Scenes -Ice-
      "Fire and Ice" shot on VariCam 35 Behind the Scenes -Ice-
      Tue, 20/03/2018 - 10:58
      View video
      VariCam Testimonial
      VariCam Testimonial
      VariCam Testimonial
      Tue, 20/03/2018 - 10:57
      View video
      VariCam captures Hampton Court 500 celebrations
      VariCam captures Hampton Court 500 celebrations
      VariCam captures Hampton Court 500 celebrations
      Tue, 20/03/2018 - 10:58
      View video
      Falco Trio - Someone to lean on (Official Video) shot on Panasonic VariCam 35
      Falco Trio - Someone to lean on (Official Video) shot on Panasonic VariCam 35
      Falco Trio - Someone to lean on (Official Video) shot on Panasonic VariCam 35
      Tue, 20/03/2018 - 10:58
      View video
      "Swilly Girl" trailer created with VariCam 35
      "Swilly Girl" trailer created with VariCam 35
      "Swilly Girl" trailer created with VariCam 35
      Tue, 20/03/2018 - 10:58
      View video
    • Introducing Panasonic’s new range of 4K technology
      Introducing Panasonic’s new range of 4K technology
      Introducing Panasonic’s new range of 4K technology
      Tue, 20/03/2018 - 10:57
      View video
      Varicam 35: First Look
      Varicam 35: First Look
      Varicam 35: First Look
      Tue, 20/03/2018 - 10:58
      View video
      A Testimonial With Suny Behar: The First Production Shot On VariCam 35
      A Testimonial With Suny Behar: The First Production Shot On VariCam 35
      A Testimonial With Suny Behar: The First Production Shot On VariCam 35
      Tue, 20/03/2018 - 10:58
      View video
      An exploration in 4K with the Panasonic VariCam 35
      An exploration in 4K with the Panasonic VariCam 35
      An exploration in 4K with the Panasonic VariCam 35
      Tue, 20/03/2018 - 10:58
      View video
      IBC2014 VARICAM
      IBC2014 VARICAM
      IBC2014 VARICAM
      Wed, 21/02/2018 - 06:16
      View video
      Panasonic Live @ IBC - HDR with colorfront shot on Panasonic VariCam
      Panasonic Live @ IBC - HDR with colorfront shot on Panasonic VariCam
      Panasonic Live @ IBC - HDR with colorfront shot on Panasonic VariCam
      Mon, 12/02/2018 - 15:04
      View video
      Atomos integration to production workflows | Panasonic Live @IBC 2017
      Atomos integration to production workflows | Panasonic Live @IBC 2017
      Atomos integration to production workflows | Panasonic Live @IBC 2017
      Mon, 19/02/2018 - 09:47
      View video
      Shooting with VariCam by Patrick A. Stewart | Panasonic
      Shooting with VariCam by Patrick A. Stewart | Panasonic
      We met cinematographer Patrick A. Stewart at the Camerimage 2017 in Bydgoszcz and had the pleasure of talking to him about his experience with Panasonic’s VariCam. Looking for change Stewart came across the VariCam LT, which he decided to used for the Netflix TV series Arrested Development. Find out why he opted for the VariCam LT and what shooting was like with the digital cinema camera in this interview. More interviews coming out soon, so subscribe to not miss them.
      Tue, 20/02/2018 - 17:16
      View video
    • Shooting with VariCam by Dick Harrewijn | Panasonic
      Shooting with VariCam by Dick Harrewijn | Panasonic
      Cinematographer, Dick Harrewijn, explains in depth the reasons why he chose the VariCam to shoot his documentary film "WILD". Discover the spectacular imagery portrayed in the film and learn why its imaging capabilities make the VariCam ideal for all types of cinematography.
      Tue, 29/05/2018 - 13:30
      View video
      Shooting with VariCam by Marek Traskowski | Panasonic
      Shooting with VariCam by Marek Traskowski | Panasonic
      We interviewed cinematographer, Marek Trakowski, why he chose the Panasonic VariCam LT to shoot the Polish TV series "Drogi Wolności” - “The paths of freedom”. The experienced filmmaker discusses the advantages of the VariCams LT's dual native sensitivity and superb lowlight filming abilities. Learn how the VariCam allows cinematographers to shoot in almost any lighting environment. Get more information on the Panasonic camera.
      Tue, 29/05/2018 - 13:34
      View video
      Matthias Bolliger on the Dual Native ISO on VariCam 35
      Matthias Bolliger on the Dual Native ISO on VariCam 35
      Video, Panasonic Newsroom IBC 2018
      Fri, 05/10/2018 - 10:32
      View video
      Shooting with VariCam
      Shooting with VariCam
      Interview with Matthias Bolliger (English Subtitles) 
      Wed, 09/01/2019 - 09:58
      View video
    • Broadcast & ProAV Operating Manual Database
      Broadcast & ProAV Operating Manual Database
      Link to the Panasonic global Operation Manual Database for Broadcast & ProAV Products
      Mon, 12/02/2018 - 13:50
      Download File

    Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

    General service & downloads Contact technical support

    Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

    General service & downloads Contact technical support

    There are currently no key services available.

    Please see below the services available for this product. You can also use this section to access the general Service & Downloads area of the website or contact our Technical Support team.

    General service & downloads Contact technical support

    There are currently no other services available.

    Specifications

    Generate data sheet
    Power DC 12 V(11.0 V – 17.0 V)
    Operating Temperature 0°C to 40°C
    Power Consumption 69 W (Body only) 99 W(with all optional accessories connected and maximum power supplied from each output terminal)
    Operating Humidity 10% to 85% (relative humidity)
    Weight Approx. 5.0kg (Excluding protrusion)
    Dimensions (W x H x D) 179 mm×230.5 mm×347 mm (7-1/16inches x 9-1/16inches x 13 -21/32inches) (Body only, excluding protrusion)
    Storage Temperature −20°C to 60°C
    Gain Settings [ISO] mode: ISO 800 to 12800 [dB] mode: 0 to 24 dB (3dB step)
    Pickup Devices super35 mm MOS 8.9 million pixels
    Shutter Speed [deg] mode: 1.0 to 358 deg (0.5deg step) [sec] mode: 1/24 to 1/250 (When 24p mode)
    Lens Mount 35 mm PL mount
    Optical Filter ND filter: 1: CLEAR, 2: 0.6 ND 3: 1.2 ND, 4: 1.8 ND
    Recording Media expressP2 card, P2 card, microP2 card
    Recording Format Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/ AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444 Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50, AVC LongG 25
    Recording Video Signal 4096×2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p 3840×2160 / 59.94p, 50p, 29.97p, 25p, 23.98p 2048×1080 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p 1920×1080 / 59.94p, 50p, 29.97p, 25p, 23.98p
    Recording Resolution 4096×2160, 3840×2160, 2048×1080, 1920×1080
    Memory Card Recorder
    Recording Framerate Maximum 4K/UHD 100p/120p, HD 100p/120p
    System Frequency 59.94p, 50p, 29.97p, 25p, 24p, 23.98p
    Recording/Playback Time (Main Codec) (when Express P2 Card 256GB is used)*2 Approx. 45 min. (AVC-Intra 4K444, 24p) Approx. 90 min. (AVC-Intra4K 422, VFR OFF, 24p) Approx. 36 min. (AVC-Intra4K 4:2:2, VFR ON, 50p/59.94p) Approx. 32 min. (AVC-Intra 4K-LT VFR:ON, 100fps/120fps) Approx. 64 min. (AVC-Intra 100, VFR ON, 100fps/120fps) Approx. 60 min. (ProRes 422 HQ, VFR:ON, 60fps) Approx. 110min. (ProRes4444, VFR:OFF, 24p)
    Recording/Playback Time (Sub Codec) (when Micro P2 Card 64GB is used)*2 Approx. 64 min. (AVC-Intra 2K422, 25.00p/29.97p) Approx. 64 min. (AVC-Intra100, 25p/29.97p) Approx. 128 min. (AVC-LongG50, 25p/29.97p) Approx. 256 min. (AVC-LongG25, 25p/29.97p
    Quantizing 12bit(AVC-Intra 4K444), 10 bit (Other than AVC-Intra 4K444)
    Proxy
    Digital Video
    Video Compression Format AVC Intra 4K444, AVC Intra 4K422, AVC-Intra 4K-LT, AVC-Intra 2K422, AVC-Intra100：MPEG-4 AVC/H.264 Intra Profile AVC LongG50, AVC LongG25：MPEG-4 AVC/H.264 ProRes 422 HQ、ProRes4444
    Audio Compression Format LPCM
    Recording Time (1GB)*2 Approx.25 min.
    SDI Out HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω (1 set, 4 pieces)
    Video Input/Output
    MON Out1 HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
    MON Out2 HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
    VF SDI HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
    DC In XLR 4 pin, DC 12 V (DC 11.0 V to 17.0 V)
    Lens 12pinx1, 4pinx2
    Genlock In HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
    DC Out 2 pin, DC12 V (DC11.0 V to 17.0 V), maximum output current 1.0 A
    Speaker 20 mm diameter, round x 1
    Phones Stereo mini jack
    TC In/Out HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
    Audio Input/Output
    Other Input/Output
    DC Out/RS 4 pin, DC12 V (DC11.0 V to 17.0 V), maximum output current 1.0 A
    Audio In: (CH1/CH2) XLR x 2, 3 pin, LINE/MIC/MIC+48V/AES switchable
    LAN 100BASE-TX/10BASE-T
    VF 14 pin
    USB 2.0 (Device) Type B connector, 4 pin
    USB 2.0 (Host) Type A connector, 4 pin
    Control Panel (LCD) 3.5-type QHD color monitor (Approx. 1.56 million dots)
    Electronic HD Color View Finder (AU-VCVF1G)
    Display Panel OLED, 0.7-type, 2.76 million dots
    Signal Input 1080/59.94p, 1080/50p, 1080/60p
    General (Combination of AU-V35C1G and AU-VREC1G)
    Camera Module (AU-V35C1G)
    Recording Module (AU-VREC1G) When used with AU-V35C1G
    Recording Audio Signal 48 kHz/24 bit, 4ch Head room 18 dB/20 dB menu switchable
    Digital Audio
    Video Compression Format (Proxy) H.264/AVC High Profile
    EXT 50 pin (for external recording only)
    *1: Specification is as of July 2015. Specification subject to change upon firmware upgrade. *2: These are reference values for continuous recording. The recording time may differ depending on the scene or the number of clips.